Gatekeeping in the Era of “Access for All”
The music industry keeps congratulating itself for opening the door.
Upload from anywhere. Distribute instantly. Reach the world without permission.
All true. Also beside the point.
Yes, plenty of artists are inside the building now, but very few are allowed anywhere that matters.
Access Created Crowds. Power Still Chooses Favorites.
Volume is what changed, not control. More artists entered the system. The system responded by tightening its filters. Visibility became conditional. Capital became cautious. Judgment was deferred to metrics.
The door opened wide enough to let everyone in, but then narrowed into a hallway where only a few can move comfortably.
Gatekeeping Got Quieter
Old gatekeepers wore titles. New ones hide behind dashboards and unassuming social media profiles. Playlists have replaced radio. Algorithms have replaced A&R instincts. Engagement rates have replaced conversations.
Decisions still happen, just without explanation. No rejection letters. No feedback. No accountability. Just silence and a slowly flattening graph.
Metrics Became the Alibi
The industry learned something useful: numbers don’t argue back. When decisions are questioned, the answer is already prepared.
“The data didn’t support it.”
“The audience didn’t respond.”
“The moment passed.”
Metrics don’t ask why. They don’t care who had resources. They don’t account for who could afford to experiment publicly. They simply justify the outcome after it’s already been chosen.
Visibility Is Treated Like Proof of Worth
Artists are no longer evaluated. They’re observed. Momentum substitutes for judgment. Traction replaces taste. Virality stands in for vision.
If something already looks successful, it becomes safe to support. If it doesn’t, it’s framed as unfinished, no matter the quality. This is how risk avoidance dresses itself up as objectivity.
“Not Ready” Is a Convenient Holding Cell
Artists hear the same phrases on repeat.
“Promising.”
“Too early.”
“Needs more development.”
“Let’s see what happens.”
What’s rarely said is simpler: The audience feels unfamiliar. The culture isn’t legible to decision-makers. The upside doesn’t feel transferable. The story doesn’t fit the current commercial mood. So artists are sent back into the open system to perform readiness indefinitely, until someone else proves it first.
Access Without Context Wears People Down
Artists are told to keep posting. Stay consistent. Let the algorithm work.
What they’re not told: How platforms reward predictability over growth. How visibility without ownership becomes leverage against them. How virality often accelerates bad deals, not good careers. How exhaustion is mistaken for dedication.
The system doesn’t cause artists to collapse. It lets them burn themselves out.
The New Gates Are Designed to Be Unseen
There’s no office to knock on anymore. No meeting to request. No person to confront. And when artists stall, they’re encouraged to blame themselves, because the system never said no out loud.
Who Advances Anyway
The artists who move forward tend to share a few advantages: Time that isn’t constantly monetized. Money that absorbs experimentation. Access to someone with literacy in marketing and systems. Proximity to decision-makers. A safety net to fail publicly without consequences.
Talent still matters. It’s just not the deciding factor.
The Lie That Keeps Circulating
“Anyone can make it now.”
That line comforts institutions because it shifts responsibility downward. If success is possible for everyone, failure becomes personal.
But watching the same types of artists advance, over and over, tells a different story. Access didn’t eliminate gatekeeping. It only multiplied the number of people waiting at the gate.
Where This Leaves Artists
The ones who last don’t confuse access with opportunity.
They learn:
Where power actually sits
How to build leverage outside platforms
How to treat visibility as a tool, not a destination
How to secure ownership before attention
Because the gate certainly didn’t disappear. It just learned how to pretend it’s no longer there.

